Sergei Eisenstein

Sergei+Eisenstein

Oktober by Sergei Eisenstein

Sergei Eisenstein’s Battleship Potemkin on DVD Classic

$4.99

Bronenosets Potyomkin (DVD 1925) Battleship Potemkin Sergei Eisenstein R2

$10.99

BATTLESHIP POTEMKIN SERGEI EISENSTEIN 1925 IMAGE DVD

$8.00

Sergei Eisenstein Mexican Fantasy, New DVD, Alexandra Scheff, Grigori Aleksandro

$27.94

AHPC "The Battleship Potemkin" Sergei M.Eisenstein, I.Bobrov, 1925 DVD Brand New

$3.85

BATTLESHIP POTEMKIN SERGEI EISENSTEIN ALEXANDER ANTONOV R0 PAL

$8.99

Alexander Nevsky 1938 DVD, SEALED! Sergei M. Eisenstein

$3.80

Alexander Nevsky (DVD, 1998) Sergei Eisenstein Image Entertainment

$10.00

October / Oktyabr Sergei M. Eisenstein (DVD NTSC)

$21.99

The Battleship Potemkin /Sergei M. Eisenstein / New DVD

$3.75

The Battleship Potemkin 1925 DVD, NEW Sergei Eisenstein

$3.80

SERGEI EISENSTEIN- ALEXANDER NEVSKY , OCTOBER 3 X DVD

$18.90

QUE VIVA MEXICO (1932) SERGEI EISENSTEIN NEW DVD

$17.99

The Battleship Potemkin 1925 [Sergei M. Eisenstein] DVD

$3.80

Alexsander Nevsky 1938 [Sergei Eisenstein] DVD *NEW

$3.80

October 1928 [Sergei M. Eisenstein] DVD *NEW

$3.80

ALEXANDER NEVSKY DVD Sergei Eisenstein Prokofiev Russia

$9.98

October (1927) / Sergei M. Eisenstein / DVD NEW

$3.80

Strike / Stachka 1925 - Sergei M. Eisenstein / DVD NEW

$11.90

October Russia DVD Sergei Eisenstein 1927 New Sealed

$3.19

Strike 1924 DVD SEALED Sergei M. Eisenstein

$3.19

Strike / Stachka 1925 [Sergei M. Eisenstein] DVD NEW

$10.90

Alexander Nevsky NEW PAL Classic DVD Sergei Eisenstein

$19.99

Sergei Eisenstein: Autobiography (DVD) 1996

$18.88

Ivan The Terrible DVD (1945) *NEW*Sergei Eisenstein

$12.50

Strike 1924 DVD SEALED Sergei M. Eisenstein

$2.94

October Russia DVD Sergei Eisenstein 1927 New Sealed

$2.94

Aleksandr Nevsky (1938) DVD*NEW*Sergei Eisenstein

$4.98

"October"1928 - Sergei M. Eisenstein - DVD *NEW

$5.39

"The Battleship Potemkin"1925-Sergei M. Eisenstein- DVD

$5.39

Sergei Eisenstein

$20.95

In Sergei Eisenstein, Mike O'Mahony uses a historical lens to examine the richly diverse films, writings, and artwork of one of the foremost filmmakers of the twentieth century.

Sergei Eisenstein. a Biography

$21.66

Sergei Eisenstein was born in Riga in 1898. His father was a Jew of German origin who had converted to Russian Orthodoxy and who passed himself off as a Baltic baron. His mother was the daughter of wealthy Russian (and traditionally anti-Semitic) merchants from St.Petersburg. Eisenstein's life was full of unforeseen diversions and turns of events. Would he become an architect like his father and go into German exile in 1918? Would he be banished as a Freemason in 1925, or stay in the USA in 1932? Would he be sentenced by a special court in 1939 to be executed, like his friends Isaak Babel and Vsevolod Meyerhold? Or would he ultimately die as a Stalin Prize winner (for "Ivan the Terrible," Part I) of a heart attack caused by the ban on Part II? This biography came into being after extensive research in Moscow, Berlin, Paris, New York, and Los Angeles. The author is the first to analyze Eisenstein?s diaries and correspondence?materials that were inaccessible in the past. Eisenstein?s relations with Freemasons, Rosicrucians and Stalin, with rivals and admirers, with psychoanalysts who treated him?are no longer faded out. Was Eisenstein homosexual? A Stalinist? A conformist? A dissident? He left no clear answers for his biographers. Oksana Bulgakowa?s study of Eisenstein?s life tries to uncover these themes in his films and drawings, between the lines of his diaries and letters, in his drafts to screenplays, projects, and research. Late in life Eisenstein viewed this research as his only possible means of salvation from the compromises he had consciously made with himself and his creativity.Oksana Bulgakowa (b. 1954) graduated from the Moscow Film Institute VGIK in 1977. In the same yearshe moved to Berlin/GDR and received her doctoral degree from Humboldt University in 1982. She works as an author, editor, translator, and filmmaker. Since 1998 she has been a visiting professor at Stanford University, USA. For further information go to www.PotemkinPress.com]

Sergei Eisenstein: A Life in Conflict

$7.08

Eisenstein: A Life in Conflict tells the dramatic story of this great director's of life and his groundbreaking work -- from his precocious childhood to his explosion on the revolutionary art scene, through his landmark film career and relationships with artists as diverse as James Joyce and Wait Disney, to his untimely death at age fifty. Drawing upon recently released material from the Soviet archives and from psychologically revealing personal letters, diaries and sketches, Bergan sheds new light on the influences of Eisenstein's parents, his childhood and his ambivalent sexuality on his life and work. Eisenstein: A Lift in Conflict is an important biography of a film director whose work displayed a passionate and profound grasp of art and science, of philosophy and religion.

Eisenstein on the Audiovisual

$97

The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Robert Robertson presents a lucid and engaging introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Eisenstein explored in his writings this complex, exciting subject with more depth and originality than any other practitioner, and this is an accessible and original exploration of his ideas. Winner of the Kraszna Krausz Foundation's And/Or Award for Best Moving Image Book of 2009, "Eisenstein on the Audiovisual" is essential reading for students and practitioners of the audiovisual in cinema and related audiovisual forms, including theatre, opera, dance and multimedia.

Towards a Theory of Montage: Sergei Eisenstein Selected Works, Volume 2

$27.43

I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film -- and one of the most original aesthetic thinkers of the twentieth century. The name of Sergei Eisenstein (1898-1948) is synonymous with the idea of montage, as exemplified in his silent classics such as "The Battleship Potemkin" (1925) and "October" (1927). In the 1930s his style changed, partly to accommodate the arrival of sound, and his ideas on audio-visual counterpoint developed. Between 1937 and 1940 he elaborated his ideas on montage in a series of essays, most of which remained unpublished until after his death and which are published in English for the first time in this volume. They present the essence of Eisenstein's thinking on cinema and aesthetics more generally and reveal him as one of the most significant philosophers of art of the twentieth century.

Eisenstein: Sound Years [3 Pack] -

$69.99

Includes:Alexander Nevsky (1938) Ivan the Terrible, Part 1 (1944) Ivan the Terrible: Part 2 (1946) Alexander Nevsky Like many of Eisenstein's best films, Alexander Nevsky was conceived as a morale-booster, aimed at stirring up Russian patriotism. It is set in the 13th century, but the villainous Teutonic Knights are obviously meant to represent the burgeoning threat of Hitler's hordes. With Russia besieged by both these knights and by the Tartars, only a charismatic leader can save the populace from these barbaric baby killers (yes, we see the villains tossing screaming infants into bonfires!) The hero of the piece is the legendary Prince Alexander Nevsky, portrayed by Nikolai Cherkasov, who bears a striking resemblance to Gary Cooper. The saving turnaround for Nevsky is the battle of ice-covered Lake Peipus in 1242. This bravura sequence is staged in spectacular fashion, underlined by the specially-commissioned music of Sergei Prokofiev. ~ Hal Erickson, Rovi Ivan the Terrible, Part 1 Sergei Eisenstein's operatic saga of the 16th-century Russian hero Czar Ivan IV is given a charismatic performance by Nikolai Cherkasov and a brilliant score by Sergei Prokofiev. Part One deals with Czar Ivan's beginnings as the ruler of Russia, Ivan's coronation, and his marriage to Anastasia Romanovna (Lyudmila Tselikovskaya). Ivan suddenly becomes gravely ill and then mysteriously recovers. When a group of conspirators poison his wife, Ivan becomes more wary of his retainers and announces that the will of the people demands his return from Alexandrov to Moscow. Ivan endeavors to preserve his country in the face of all the internal and external conspiracies. ~ Paul Brenner, Rovi Ivan the Terrible: Part 2 The second part of Sergei Eisenstein's baroque chronicle of the legendary Russian czar was originally planned as a three-part epic. But Eisenstein had battles with Russian censors over the second part of his trilogy, ostensibly because of a negative depiction of Ivan's secret police force (Stalin feared that Eisenstein was making a veiled reference to himself). Although filmed shortly after Part One in 1946, the film was suppressed and was not released until 1958. In the meantime, Eisenstein, who died in 1948, never completed his project, spending most of his time defending himself before Stalin and his censor boards. Part Two takes up the story of Ivan the Terrible (Nikolai Cherkasov) upon his return to Moscow from Alexandrov. Ivan must deal with a group of unfriendly boyars and becomes even more insulated after his mother is poisoned and an assassination plot is uncovered. The black-and-white film ends with a luminous color banquet scene. ~ Paul Brenner, Rovi

Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema

$33.79

The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Robert Robertson presents a lucid and engaging introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Eisenstein explored in his writings this complex, exciting subject with more depth and originality than any other practitioner, and this is an accessible and original exploration of his ideas. Winner of the Kraszna Krausz Foundations's And/Or Award for Best Moving Image Book of 2009, " Eisenstein on the Audiovisual" is essential reading for students and practitioners of the audiovisual in cinema and related audiovisual forms, including theatre, opera, dance and multimedia.

The theory of Eisenstein systems

$117

The theory of Eisenstein systems

Eisenstein Rediscovered

$148

Offers new perspectives for reinterpreting Russian culture of the Soviet period and presents a diversity of views and methodologies with two newly-discovered (and translated) texts by Eisenstein.

Eisenstein Series and Applications

$79.95

Eisenstein series are an essential ingredient in the spectral theory of automorphic forms and an important tool in the theory of L-functions. Introducing the users of Eisenstein series to important applications, this work focuses on the common structural properties of Eisenstein series, along with the consideration of key problems in the field.

Spectral Decomposition and Eisenstein Series

$61

A self-contained introduction to automorphic forms, and Eisenstein series and pseudo-series, proving some of Langlands' work at the intersection of number theory and group theory.

Problems of Film Direction

$20.13

Sergei Eisenstein is arguably the most important single figure in the history of movies. He was certainly the most versatile. The director of the masterpieces Battleship Potemkin and Alexander Nevsky, Eisenstein also wrote ground-breaking essays on film art and taught classes on motion picture production. In this book Eisenstein writes about film directing.