STUDIO 360

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John Ford's Cheyenne Autumn - missing footage from 1964 release

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John Ford Film Collection (DVD / NTSC) $43.99 Synopsis: WHV celebrates on of the true masters of American cinema with the release of The John Ford Collection. Four-time Academy Award?-Winning director John Ford is perhaps best known for his Westerns and collaborations with John Wayne, however, this Ford collection runs the gamut of genres and shows the diversity and genius of John Ford at his most impressive. Featured here will be the DVD debuts of five classic titles - all will be exclusive to the five-disc boxed set. Format: DVD Color: Color Rating: Not Rated Genre: Western Runtime: 554 minutes Release Date: 06-06-2006 (DVD) Studio: Warner Home Video

Directed By John Ford Dvd from Warner Bros. $10.83 In 1971 Peter Bogdanovich made a fascinating documentary about legendary John Ford in which Henry Fonda, James Stewart and John Wayne revealed firsthand tales about the man often cited as America's greatest, most influential filmmaker. Thirty-five years l

John Ford Film Collection, The (5-Pack) Dvd from Warner Bros. $35.25 WHV celebrates on of the true masters of American cinema with the release of The John Ford Collection. Four-time Academy Award Winning director John Ford is perhaps best known for his Westerns and collaborations with John Wayne, however, this Ford collect

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John Ford $112.95 John Ford (1894-1973) is universally acknowledged as one of the greatest directors in the history of cinema. He is the only person to win four Academy Awards for Direction, for The Informer (1935), The Grapes of Wrath (1940), How Green Was My Valley (1941), and The Quiet Man (1952). This reference book is a comprehensive guide to his career. The volume begins with a biography that looks at Ford as a person, a director, and a cinematic legend and influence. Ford's life is discussed chronologically, but the biography repeatedly considers how his early experiences shaped his creative vision and attempts to explain why he was so self-destructive and unhappy throughout his career. In addition, the biography carefully scrutinizes his methods, styles, techniques, and secrets of direction. A chronology presents his achievements in capsule form. The rest of the book provides detailed information about his many productions and about the response to his works. The heart of the volume is a filmography, which includes individual entries for 184 films with which Ford was involved, as either an actor, a director, a producer, a writer, an advisor, or an assistant. These entries include cast and credit information, a plot synopsis, critical commentary, and excerpts from reviews. The book also includes the most extensive annotated bibliography on Ford ever published, with more than 1000 entries for books, articles, dissertations, documentaries, and even four works of fiction concerning Ford. Additional sections of the book provide information about his unrealized projects; his radio, television, and theater work; his awards and honors; and special collections and archives.

John Ford Made Westerns $15.95 Fresh perspectives on some of the most influential films of John Ford. The Western is arguably the most popular and enduring form in cinematic history, and the acknowledged master of that genre was John Ford. His Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance, have had an enormous influence on contemporary U.S. films, from Star Wars to Taxi Driver. In John Ford Made Westerns, nine major essays by prominent scholars of Hollywood film situate the sound-era Westerns of John Ford within contemporary critical contexts and regard them from fresh perspectives. These range from examining Ford's relation to other art forms (most notably literature, painting, and music) to exploring the development of the director's reputation as a director of Westerns. While giving attention to film style and structure, the volume also treats the ways in which these much-loved films engage with notions of masculinity and gender roles, capitalism and community, as well as racial, sexual, and national identity. Contributors include Charles Ramirez Berg, Matthew Bernstein, Edward Buscombe, Joan Dagle, Barry Keith Grant, Kathryn Kalinak, Peter Lehman, Charles J. Maland, Gaylyn Studlar, and Robin Wood. ContentsPart IIntroduction, Gaylyn Studlar & Matthew Bernstein "'Shall We Gather at the River?': The Late Films of John Ford," Robin Wood "Sacred Duties, Poetic Passions: John Ford and Issue of Femininity in the Western," Gaylyn Studlar"The Margin as Center: The Multicultural Dynamics of John Ford's Westerns," Charles Ramirez Berg "Linear Patterns and Ethnic Encounters in the Ford Western," Joan Dagle "How the West Wasn't Won: the Repression of Capitalism in John Ford's Westerns," Peter Lehman "Painting the Legend: Frederic Remington and the Western," Edward Buscombe "'The Sound of Many Voices': Music in John Ford's Westerns," Kathryn Kalinak "John Ford and James Fenimore Cooper: Two Rode Together," Barry Keith Grant "From Aesthete to Pappy: The Evolution of John Ford's Public Reputation," Charles J. MalandPart II -- DossierEmanuel Eisenberg, "John Ford: Fighting Irish," New Theater, April 1936Frank S. Nugent, "Hollywood's Favorite Rebel," Saturday Evening Post, July 23, 1949John Ford, "John Wayne -- My Pal," Hollywood, no. 237 (March 17, 1951), translated from the Italian by Gloria MontiBill Libby, "The Old Wrangler Rides Again," Cosmopolitan, March 1964"About John Ford," Action 8.8 (Nov.-Dec. 197

John Ford's Stagecoach $25 Stagecoach is one of the classics of Hollywood cinema. Made in 1939, it revitalized the Western genre, served as a milestone in John Ford's career, and made John Wayne a star. This volume offers a rich overview of the film in essays by six leading film critics.

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Searching for John Ford $40 John Ford's classic films--such as Stagecoach , The Grapes of Wrath , How Green Was My Valley , The Quiet Man , and The Searchers --have earned him worldwide admiration as America's foremost filmmaker, a director whose rich visual imagination conjures up indelible, deeply moving images of our collective past. Joseph McBride's Searching for John Ford , described as definitive by both the New York Times and the Irish Times , surpasses all other biographies of the filmmaker in its depth, originality, and insight. Encompassing and illuminating Ford's myriad complexities and contradictions, McBride traces the trajectory of Ford's life from his beginnings as "Bull" Feeney, the nearsighted, football-playing son of Irish immigrants in Portland, Maine, to his recognition, after a long, controversial, and much-honored career, as America's national mythmaker. Blending lively and penetrating analyses of Ford's films with an impeccably documented narrative of the historical and psychological contexts in which those films were created, McBride has at long last given John Ford the biography his stature demands.

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John Cuthbert Ford, SJ $49.95 John Cuthbert Ford, SJ (1902-1989) was one of the leading American Catholic moralists of the 20th century. This is the first full-length analysis of his work and influence, one that not only reveals a traditionally Catholic method of moral analysis but also illuminates the conflicts behind and development of Catholic moral teaching during the volatile 1960s. Ford is best known for his influential contribution to Catholic teachings on three moral issues. His objection to the Allied practice of obliteration bombing during WWII by drawing a sharp distinction between combatants and noncombatants is still studied widely today. Ford campaigned for alcohol education for both clergy and laity and introduced a pastoral approach for assisting and counseling alcoholics. As a member of the Papal Commission on Population, Family, and Birth Rate during the 1960s, Ford was an unyielding defender of the traditional Catholic teaching on birth control that still reigns today.Drawing on the published works and personal papers of Ford, Eric Genilo begins with a brief description of the theologian's life, career, and influence. The book is divided into two parts. In Part I, Method, Genilo offers an overview of Ford's moral theology in the manualist traditionùa 300-year period during which Catholic priests used manuals to instruct the faithful on matters of morality and sin. Genilo then examines Ford's two modes of resolving moral cases and presents Ford's approach to doctrinal development. In Part II, Moral Objectivity, Genilo shows how Ford confronted the growing situation ethics movement, then moves to how he understood freedom and subjective culpability, particularly in the case of alcoholism. Later chapters reveal Ford's theological conflicts with Josef Fuchs, SJ on the issue of birth control, his staunch opposition to totalitarianism, and his moral analysis of how society should treat marginalized persons threatened by the abuse of power.Genilo concludes with an assessment of Ford's legacy to the development and practice of moral theology, leaving the reader with an in-depth portrait of an extraordinary man who dedicated his life to defending the Church and protecting the most vulnerable persons in society.

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