American Western
What do you think is the most anti-American WESTERN country?
Which Western country would you say has the most anti-American citizens:
a.) Germany
b.) France
c.) Canada
d.) Great Britain
e.) Mexico
f.) Russia
g.) Australia
h.) Other
France certainly speaks out against the USA's policies in public and stabs us in the back in private. There is a lot of anti-american sentiment played out in canadian politics and on TV. But I have to give France the edge this time.
West Side Story-America
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Geronimo - An American Legend [VHS] $2.99 Walter Hill's revisionist take on the American cavalry's campaign to capture renegade Chiricahua Apache warrior Geronimo (Wes Studi) is, like Clint Eastwood's Unforgiven, a dark tale that both celebrates and critiques myths of the American West. Despite its title, Geronimo is really about the American cavalry officers who undertake the responsibility of recapturing the warrior, in particular the y... |
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The American Western $119.4 This wide-ranging book illuminates the importance of the Western in American history. It explores the interconnections between the Western in both literature and film and the United States in the 20th century. Structured chronologically, the book traces the evolution of the Western as a uniquely American form. The author argues that America's frontier past was quickly transformed into a set of symbols and myths, an American meta-narrative that came to underpin much of the American century'. He details how and why this process occurred, the form and function of Western myths and symbols, the evolution of this mythology, and its subversions and reconstructions throughout 20th-century American history. The book engages with the full range of historical, literary and cinematic perspectives and texts, from the founding Western histories of Theodore Roosevelt and Frederick Jackson Turner to the New Western history of Patricia Nelson Limerick and Richard White. |
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The Western $13.99 From the very beginnings of American cinema the Western has been a central genre, as the hazardous lives of the settlers, their conflict with Native Americans, the lawless frontier towns, outlaws, and cattle rustlers all found their way into the new medium of film. This book   provides a basic work of reference for all the major directors and noteworthy films of the genre. It discusses how folk heroes and heroines such as Jesse and Frank James, Wild Bill Hickok, Wyatt Earp, Calamity Jane, and Annie Oakley were all eagerly seized on by filmmakers, and how writers, from the very popular to the very literary—from Zane Grey to Owen Wister and James Fennimore Cooper—were plundered for storylines. The great Hollywood directors are all here, including John Ford, Howard Hawks, Raoul Walsh, Michael Curtiz, Sam Peckinpah, and Henry Hathaway, as well as great stars such as John Wayne, James Stewart, Gary Cooper, Barbara Stanwyck, Jane Russell, and Clint Eastwood. Learn how the Western became popular worldwide by offering escape, adventure, stunning landscapes, and romance, as well universal themes such as survival, law and order, defense of family, and dreams of a new and better world.  |
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Great American Western, Vol. 18 - $3.99 Includes:American Empire (1942) Marshal of Madrid (1972) Sam Cade (1972) The Hanged Man (1974) American Empire Originally slated for release through Paramount Pictures but ultimately distributed by United Artists, American Empire is a western "special" from Hopalong Cassidy producer Harry "Pop" Sherman. Set during the Reconstruction period, the film stars Richard Dix and Preston S. Foster as Dan Taylor and Paxton Bryce, two longtime friends seeking their fortune in postwar Texas. With the ... |
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Great American Western, Vol. 12 - $3.99 Includes:Fighting Mad (1917) The Sundowners (1950) The Savage Guns (1962) The Gatling Gun (1972), MPAA Rating: PG Fighting Mad Lambert (William Stowell), a doctor and a minister, comes to live in a Western town with his wife (Helen Gibson). But she is enticed away by a gambler named West (Hector Dion). She returns, but dies in childbirth and Lambert loses his faith and any desire to help anyone. He places the baby on a doorstep and leaves town to wander aimlessly. Many years pass and he returns to the town and meets Lily Sawyer (Mildred Davis), who works at a hotel belonging to Smith (Alfred Allen). Because of the young girl's sweet personality, Lambert starts thinking about becoming a member of the human race again. Then West comes to town and lusts after Lily. West's partner, Fanny (Betty Schade), tells Lambert that Lily is his daughter. Lambert kills West before he can lay a hand on Lily, and soon after, his faith in God is restored. ~ Janiss Garza, Rovi The Sundowners Filmed in a two-tone process called Cinecolor, The Sundowners is a compact little western making good use of an old Hollywood chestnut. Robert Preston and Robert Sterling play two brothers who find themselves on opposite sides of the legal fence. Since Sterling rather than Preston has the mustache this time, Sterling's the bad guy. Caught in the crossfire is Preston's son, who is menaced by Sterling. This 1950 version should not be confused with the 1960 Warners film of the same name, which is set on an Australian sheep ranch. ~ Hal Erickson, Rovi The Savage Guns A little talkative but otherwise up to par, this western by director Michael Carreras in cooperation with a Madrid studio, is set in the Mexican valley of Sonora not that far south of the state of Arizona. The time is just after the American Civil War, and a former Confederate officer, Mike Summers (Don Taylor) has taken refuge in a small town in the valley. He has married and is hoping to live in peace the rest of his life. Instead, he and his wife and the rest of the town are suffering the depredations of a brutal gunman, Danny Pose (Alex Nicol), and his gang of outlaws. Summers holds off picking up a gun because of his personal vow of non-violence. But the situation deteriorates and a new ally comes into the picture, Steve Fallon (Richard Basehart), a wandering gunslinger who may not be able to handle the bad guys alone. ~ Eleanor Mannikka, Rovi The Gatling Gun This Western presents a fictionalized account of the ways in which the Gatling gun was created. Also chronicled are its tremendous effects on the great frontier. ~ Sandra Brennan, Rovi |
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Great American Western, Vol. 10 [2 Discs] - $6.99 Includes:American Empire (1942) Sunset Carson Rides Again (1948) Yuma (1970) Marshal of Madrid (1972) Sam Cade (1972) The Hanged Man (1974) The Wackiest Wagon Train in the West (1977), MPAA Rating: PG The Gunfighters (1987), MPAA Rating: PG American Empire Originally slated for release through Paramount Pictures but ultimately distributed by United Artists, American Empire is a western "special" from Hopalong Cassidy producer Harry "Pop" Sherman. Set during the Reconstruction period, the ... |
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The American Indian in Western Legal Thought $48 The author, a lawyer and member of the Lumbee tribe, traces the evolution of contemporary legal thought on the rights and status of American Indians and other indigenous tribal peoples. |
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Great American Western, Vol. 9 - $3.99 Includes:Santa Fe Trail (1940), MPAA Rating: NR The Outlaw (1943), MPAA Rating: G Vengeance Valley (1951), MPAA Rating: PG Kansas Pacific (1953), MPAA Rating: PG Santa Fe Trail Santa Fe Trail, Errol Flynn's third western, has precisely nothing to do with the titular trail. Instead, the film is a simplistic retelling of the John Brown legend, with Raymond Massey playing the famed abolitionist. The events leading up to the bloody confrontation between Brown and the US Army at Harper's ... |
